作成を始める

KLING 4.0 動画プロンプト集 クリエイターの作例 REC

Kling 4.0 プロンプト集

カメラワークや動作の書き方を、作者の動画とプロンプト原文で見比べられます。気に入った指示をコピーし、被写体や舞台を自分の企画に合わせて変えてみましょう。

Kling 4.0 音声あり
すべて見る
注目
作者 @minchoi ·
原文を表示してコピー"A cinematic, aching love scene on the last ferry of the night, crossing a dark sea in the rain. [Jules], the red-haired woman in the rust-orange wool coat with a single gold hexagon earring in her left ear, and [Harry] , the clean-cut man in his late 20s with neat side-parted light-brown hair and an olive work jacket, sit side by side on a bench seat by a rain-streaked window in the quiet ferry café. Harbour lights shrink into the dark behind the glass. Intimate romantic drama, six shots. 0s–5s: Wide two-shot from across the empty café. Jules watches the harbour lights recede; Harry watches only her. [Jules: warm quick Glaswegian voice, quiet and wistful]: "This is the last ferry, you know." A beat. [Harry: slow Central Texas drawl, soft and low]: "I know." 5s–10s: Close-up on Jules in profile against the window, rain shadows sliding down her face. She keeps her eyes on the lights and forces a small smile that doesn't reach her eyes. [Jules, trying to sound light]: "Tomorrow you're on a plane, and I'm back to talking to the gulls." 10s–14s: Close-up on Harry. He turns fully toward her, earnest, his voice barely above the engine hum, and his hand finds hers on the bench. [Harry, tender, hopeful]: "Then come with me." 14s–19s: Close-up on Jules. Her composure cracks; her eyes fill, a small broken laugh escapes, and she shakes her head without looking at him. [Jules, voice trembling]: "Don't. Don't make it sound easy." 19s–25s: Tight two-shot. He lifts her hand and holds it against his chest; she finally turns to meet his eyes. [Harry, hoarse, full of feeling]: "Nothing about you's been easy, darlin'. That's why I keep coming back." 25s–30s: Extreme close-up of the two of them, foreheads touching, eyes closed, the harbour lights a soft blur behind them. [Jules, a whisper]: "Then keep coming back." [Harry, a whisper, smiling through it]: "Every time. Every single time." The ferry horn sounds low in the distance.Warm tungsten café lamps against cold blue storm light from the window, shallow depth of field, natural skin texture, glistening eyes, subtle film grain. Sound: rain on glass, the engine hum, the creak of the hull, a soft piano note under the final line."
注目
作者 @minchoi ·
原文を表示してコピー"A premium product ad for [Fernloch] sparkling birch water: a clear glass bottle of crystal-clear sparkling water with fine bubbles, its dark-green label reading "FERNLOCH" and "SPARKLING BIRCH WATER". Clean, bright commercial style, four shots. 0s–3s: Macro close-up sliding slowly along the bottle; the label fills the frame, fine bubbles rising inside, condensation beading on the glass. 3s–7s: Side angle at counter height. [Jules]'s hand in a rust-orange coat sleeve lifts the bottle by its shoulder and pours crystal-clear sparkling water into a heavy glass tumbler as fine bubbles race up. 7s–11s: Front angle, label facing the camera. She sets the bottle down upright beside the full glass. 11s–15s: Medium shot across the counter. [Harry]'s hand in an olive jacket sleeve takes the bottle by the neck and lifts it toward the lens, label facing the camera.Soft window light from the left, pale oak counter, warm-white wall, the label crisp and readable in every shot, gentle fizz and a soft glass clink."
注目
作者 @minchoi ·
原文を表示してコピー"Raw vertical 9:16 selfie video shot on a phone's front camera held at arm's length, one continuous 30-second take with no cuts. It looks like an ordinary unedited phone clip, not a film: slightly soft image, a little digital noise and compression, deep focus with the background as sharp as her face, auto-exposure brightening and dimming as she walks between sun and tree shade, no colour grading. Handheld and imperfect: the phone bobs and sways with each step, tilts off level, drifts until the top of her head is cut off, and she re-centres it. [Sadie], a young woman in her early 20s with long honey-blonde waves blowing across her face, light natural makeup, small gold hoop earrings, a cropped cream knit top and light-wash jeans, walks forward along one long, straight, tree-lined downtown street in bright late-morning sun, a plain iced coffee cup with no logo in her free hand. She never stops, turns around or turns a corner; behind her is the same street she has already walked, with a few passers-by, parked cars and shopfronts with unreadable signs. Around 12 s a flower stall slides past beside her and she glances at it; around 17 s she passes a bakery window, glances at it and laughs.[Sadie: casual young woman's voice, a little breathless from walking, recorded on the phone's built-in mic]: "Okay, walk with me. I'm meeting my sister for brunch and I'm, like, ten minutes early for once. ... I love this street in the morning, before all the people. ... Oh, the flower stall's out again, so pretty. ... And that bakery... no. Be strong. ... Okay, it's just up here. I'll show you what we get. Bye!"Audio as captured by the phone mic, not studio clean: her voice close and slightly compressed, light wind buffeting the mic, traffic passing, a bus pulling away, footsteps, snippets of passer-by chatter, all mixed under and around her voice."

プロンプト一覧／新着順

並べ替え 絞り込み
作者 @airina_xyz ·
原文を表示してコピーKLING 4.0 — 20-SECOND ROMANIAN FOLKLORE DARK COMEDY, 16:9, FIVE SHOTS. VISUAL STYLE: Authentic 1977 Romanian-Czechoslovak live-action fairy-tale movie, imaginative handmade costumes, grotesque practical prosthetic makeup, soft 35mm film grain, faded analog color, atmospheric Carpathian woodland. CHARACTERS: BABA CLOANȚA: An ancient, hunched Romanian witch with a gigantic hooked nose, warts, enormous pointed ears, almost toothless mouth and glittering mischievous eyes. Multiple layers of ragged wool, old beads, dried herbs and tiny copper bells. Irritable, cunning, unexpectedly affectionate. THE PRINCE: A handsome but painfully nervous young man, age 25, wearing a faded blue medieval doublet, a velvet cap and an oversized sword. Frightened of practically everything. SETTING: Outside a ramshackle wooden witch's cottage deep in a misty Romanian forest. Twisted roots, mossy stones, bundles of dried herbs, a rough wooden counter. DIALOGUE: Romanian only, naturally spoken with authentic Romanian pronunciation. 0:00–0:03 — MEDIUM CLOSE-UP: The prince rushes toward Baba Cloanța, breathless. He cries, "Mă urmărește un blestem!" His eyes dart around the trees. 0:03–0:07 — CLOSE-UP: The witch grins and holds up a tiny antique brass bell on a red string. She says mysteriously, "Sună când ești în primejdie." 0:07–0:11 — DETAIL SHOT: The prince takes the bell. Instantly it begins ringing violently in his hand. He looks at it, terrified. 0:11–0:15 — MEDIUM TWO-SHOT: The prince frantically shakes the bell and asks, "E stricat?" Baba Cloanța tilts her enormous head and studies him. 0:15–0:20 — EXTREME CLOSE-UP: The witch leans toward the prince until her grotesque face nearly fills the frame. She smiles with all three remaining teeth and whispers tenderly, "Nu, dragule. Sunt chiar aici." The prince slowly realizes what she means. His eyes widen. The bell rings faster. Cut to black at 20 seconds. PERFORMANCE: Distinctive practical-makeup facial expressions, convincing frightened reactions, excellent timing. The witch is genuinely amused, never cartoonishly frantic. CAMERA: Natural 1970s film coverage, restrained movements, expressive close-ups, clear continuity. AUDIO: Romanian dialogue, creaking woodland branches, distant crows, wind, footsteps, increasingly frantic small brass bell. No music, no narrator, no subtitles.
作者 @FlyAIgh ·
原文を表示してコピーReferences: images 1, 2 and 3 are the same woman, the woman in ivory: low bun, pearl earrings, an ivory satin slip dress to the floor, a sheer shawl of the same color over her shoulders. Images 4, 5 and 6 are the same woman, the woman in black: long black curls, a black tuxedo suit with burgundy satin lapels. Image 7 is the setting: a private dinner in an art gallery. Both women's faces, features, hair, clothes and accessories always match their own reference images, and the two faces must never blend. Realistic cinematic look, 16:9, an understated luxury dinner, low light, warm low lamps and candlelight, urban short-drama style. 15 seconds in total, four shots. Shot 1 (0 to 3s, wide): in the gallery from image 7, guests holding glasses talk quietly and move slowly, someone plays the cello in a corner, candles flicker on the tables. The camera descends slowly from ceiling height and pushes forward, starting on the whole room and ending beside the champagne tower. The woman in ivory stands alone by the tower with a glass of champagne. Shot 2 (3 to 6s, medium, hard cut): the woman in black walks in from the right of frame, grabs her wrist and leans in to say something. The woman in ivory turns to look at her, face to camera, her expression going from restrained to cold. Locked-off camera, both women in frame. Shot 3 (6 to 11s, side tracking, hard cut): the woman in ivory shakes off her hand and, in the same motion, pushes the champagne tower over, her sheer shawl lifting with the movement. Dozens of glasses fall tier by tier and shatter, champagne splashes everywhere, and the guests around scream and step back. The camera tracks fast from the side in the direction the tower falls, with a little handheld shake. Shot 4 (11 to 15s, close-up, hard cut): close-up of the woman in ivory, face to camera, a strand of hair falling loose from her bun, pearl earrings swaying slightly, chest rising and falling. Then cut to an over-the-shoulder shot from behind her: the woman in black stands opposite, her black suit splashed with champagne, freezes for a beat, then slowly starts to smile. No subtitles, no watermark, and apart from the guests, no main characters other than those in the reference images.
作者 @openclipsai ·
原文を表示してコピーCinematic 16:9 live action, 10 seconds, night, played as deadpan comedy. The woman from the reference image, same face, same green-hazel eyes, now with a glossy hot pink pageboy bob with blunt bangs, wears an oversized black tailored blazer worn open over a black satin corset, thin black suspenders clipped to high-waisted wide black trousers, and chunky black boots. Small silver hoop earrings, dark red lipstick. 0-3s: Front shot in an empty underground metro station, white tiled walls, cold fluorescent light. She stands on the tracks facing the camera, a tiny grey kitten held against her chest with her left arm. With total confidence she raises her right hand toward the camera, palm open, as if stopping something. Behind her back, a metro train bursts out of the dark tunnel and races toward her, headlights blazing, horn blaring. She does not turn around. 3-5s: The train bumps into her from behind with a heavy thud and a huge cloud of grey dust fills the whole frame. The train screeches to a stop. 5-8s: The dust slowly settles. She pushes herself up from the tracks, covered head to toe in grey dust and soot, her pink hair sticking up in every direction, blazer crooked, coughing once. The kitten is still safe in her arm, also dusty, blinking. 8-10s: Medium close-up. She looks straight into the camera with a flat, unimpressed face, and a small puff of dust falls from her hair.
作者 @boke_ai ·
原文を表示してコピーRe-film 视频1 as live-action footage of one real Japanese suburban town, filmed by a fast FPV drone in one continuous shot with no cuts. Keep from 视频1 exactly: the camera position, height, lens, speed and every frame of the camera movement. Keep the outline, size and position of every building, road, utility pole and wire, and the small boxes moving on the road. Only replace the flat gray surfaces with real materials taken from the photos, overcast summer afternoon, white-gray sky. The drone races three meters above a wide four-lane main road with sagging black wires overhead; the roadside shops it passes are these, each exactly like its photo with the same signboard. In order: 0 to 1 second, the police box in 图片1 on the left and the glasses shop in 图片2 on the right. 0.7 to 2.3 seconds, the fitness studio in 图片3 on the left and the barber shop in 图片4 further away on the right. 1 to 3 seconds, the tonkatsu restaurant in 图片5 on the right and the cram school in 图片6 on the left. 1.5 to 3.5 seconds, the coin laundry in 图片7 on the right and the hair salon in 图片8 on the left. 2 to 4 seconds, the burger shop in 图片9 on the right. The moving boxes are ordinary small Japanese cars. No other text anywhere. Sound: wind rushing hard past the drone microphone, the whine of the propellers, cars passing.
作者 @kodavid ·
原文を表示してコピーHandheld UGC try-on clip in a sunlit loft studio. The woman swings the camel wool blazer off her shoulder, slips both arms into the sleeves one at a time, and tugs the lapels straight. Then she does one full slow spin on the spot so the pleated emerald satin skirt flares out and settles back down, and she ends facing the camera with a small smile. The wool creases at the elbows as she bends her arms, and the satin pleats catch the window light as they swing. The camera stays at the same shin-to-head framing the whole time. Realistic fabric physics, natural light, ambient room sound only, no music, no speech, no text on screen.
作者 @aymducking ·
原文を表示してコピー15-second 16:9 1080p first-person gameplay recording of a competitive sci-fi alien-invasion shooter, squad vs. alien horde, captured from a PC screen. Next-gen graphics: rainy neon night, crisp PBR, wet reflective surfaces, high frame rate. The player’s purple armored gloves hold an original white-chrome plasma rifle with glowing hot-pink and teal energy coils, lower right of frame; rain beads and sizzles into steam on the hot coils. He wears a jetpack; teal thruster glow and rain-mist trails at frame edges when boosting. HUD off: only a small green crosshair. Snappy movement with peeks, strafes, jetpack boosts and precise flicks. One continuous fight, no cuts. Setting: neon-drenched futuristic cliffside spaceport above a dark canyon during a heavy rainstorm at night, original map. Black-glass hangars with magenta and cyan neon strips, landing pads with pulsing teal edge lights, cargo shuttles, hover-crates, fuel canisters, catwalks, a glass sky bridge, radar dishes, flickering holographic signs of abstract shapes. Purple storm clouds, lightning flashes, puddles mirroring neon, rain streaking through light beams, drifting fog. Enemies are original alien creatures: tall, slick, four-armed insectoid aliens with bioluminescent acid-green veins and glowing eyes, some with leathery wings. They spit green plasma bolts and leap or glide between platforms. When hit they burst into glowing green goo and sparks. [00:00–00:02] He strafes out from a hover-crate and drops an alien at the hangar entrance with a plasma burst; it ragdolls in a splash of glowing green goo that hisses on the wet ground. [00:02–00:04] Wide-swings around a shuttle as green plasma bolts streak past through the rain and two-taps an alien crawling behind its landing gear, neon sparks scattering. [00:04–00:06] Shoots a fuel canister beside an alien on a catwalk; a magenta fireball with an expanding cyan energy ring blasts it off, rain flash-evaporating into a steam cloud. [00:06–00:08] Jetpacks up to a higher pad through sheets of rain and swaps energy cells mid-air with a glowing steam puff, a lightning bolt lighting the sky behind. [00:08–00:10] Two winged aliens swoop up out of the canyon; he taps one mid-air, it shrieks, wings shredding into green embers, and spirals down into the canyon. [00:10–00:11] Throws a plasma grenade that sticks to a radar dish and detonates in a pink-white shockwave with electric arcs crackling across the wet metal, launching the second alien. [00:11–00:13] Two aliens charge across the glass sky bridge; he boosts sideways and taps both down as glass cracks and neon reflections shatter across it. [00:13–00:15] Wave cleared. Alone at the pad’s edge in the pouring rain, he looks down at the glowing canyon as lightning flashes, then inspects his rifle with a flip animation, coils pulsing and steaming. Style: authentic high-skill gameplay footage caught on stream, confident clean play, stable camera with natural bob, recoil and jetpack sway. Heavy VFX: volumetric neon light shafts through rain, rain droplets on the lens edges, lens flares, chromatic glow bloom, particle sparks, energy trails, heat distortion, glowing goo splatter, electric arcs, steam and fog. No text, logos, watermark or IP characters, creatures, weapons or maps. Audio: heavy rain and thunder, electric plasma bursts, wet sizzling impacts, alien shrieks and clicks, spitting plasma bolts, jetpack whooshes, footsteps splashing on metal and glass, deep explosion booms, crackling electricity, grenade beep, steam-hiss reload, short wave-cleared sting. No dialogue.
作者 @SocialSight ·
原文を表示してコピーStyle: warm storybook painting with soft brush texture, glowing golden light against deep navy night, cozy rounded rooftops, chimney smoke curling into stars. 0-3s (HOOK): The night sky is completely empty, no moon. In a tiny bakery window, a round baker in a flour-dusted apron pulls a giant glowing dough ball out of a brick oven. 3-6s: Bakers across the rooftop town hand the warm moon from chimney to chimney, passing it up in a long chain of flour-covered hands. 6-10s: At the highest tower, they load it into a huge wooden slingshot. The whole town gathers in the streets, holding lanterns and looking up. 10-13s: The slingshot launches. The glowing moon arcs high into the sky and settles into place, lighting up the entire town in silver. 13-15s (BUTTON): A small crumb falls from the new moon and lands on a child's nose. She tastes it and grins. Camera: starts inside the bakery, rises over the rooftops, ends on a wide view of the whole moonlit town. Music: gentle music-box melody with soft strings, building into a warm, sweeping finish.
作者 @Diplomeme ·
原文を表示してコピーCreate a video ad from image1, image2 30-second vertical 9:16 premium skincare commercial for brand name REVISION SKINCARE – SOOTHING FACIAL RINSE. Use the provided female portrait as strict identity authority: one actress only, same warm brown skin, long straight black hair, almond eyes, glossy lips, gold hoop earrings, elegant smile, slim build, and consistent face across all four versions. Use the provided bottle image as strict packaging authority for shape only: opaque glossy black bottle, rounded rectangular body, sloping shoulders, short black neck, large cylindrical ribbed black screw cap, original silver-bordered label. Preserve exact bottle geometry, proportions, cap and packaging. The reference video controls only pacing, bathroom setting, ad grammar, and final group tableau. Do not copy its original brand, exact wording, or layout. Core idea: one woman in a bright pink bathroom moves through four skincare moments - refreshing skin after cleansing, removing remaining impurities, soothing and refreshing the complexion, and completing her everyday toner routine - then ends with a polished product hero shot and a four-version finale, all played by the same face with different styling. Overall visual: a single pink bathroom set with glossy tiles, white counter, round mirror, soft blinds, and high-key diffused beauty light. Clean, bright, soft, slightly glossy, with subtle film grain and minimal camera movement. Use mostly static shots with tiny push-ins, neat product inserts, and one water-bubble hero shot. Music: light airy pop with soft whooshes, cotton-pad swipes, and faint water shimmer. No random readable text. The only brand text is brand name. 0.0-2.8s: Intro. Persona 1 appears in sporty mint/teal activewear, hair clipped back, minimal makeup. She tidies her hair, turns to camera, and says softly: “My skin deserves a gentle refresh.” Keep the bathroom calm, pink, and bright. 2.8-5.6s: Product reveal. The bottle slides into center on the counter, front-on then at a slight 3/4 angle. Show the opaque glossy black bottle, rounded rectangular body, ribbed black screw cap, original silver-bordered label, and clean brand name. Hold the shot steady and elegant. 5.6-8.4s: Persona 2 appears in evening-glam styling, a black satin or off-shoulder top with slightly stronger eye makeup. She applies the toner to a cotton pad and gently wipes her face, then looks back with relief and says: “A refreshing finish, without the harsh feel.” 8.4-11.2s: Persona 3 appears in a white robe, with naturally fresh skin and soft natural makeup. She gently pats her cheek after applying the toner and says: “My skin feels calm and refreshed.” 11.2-14.0s: Persona 4 appears in a soft pink towel wrap or cream lounge top, very natural makeup, serene smile. She makes one final gentle application with a cotton pad and says: “A gentle step in my everyday routine.” 14.0-16.8s: Quick matched cuts show the same actress as all four versions inside the same pink bathroom. Keep the face identical across looks, only wardrobe and makeup changing. Use bold white uppercase overlays: “ALCOHOL-FREE TONER”, “GENTLE DAILY REFRESH”, “SOOTHING SKINCARE”, “FOR ALL SKIN TYPES”. The bottle stays on the counter as the visual anchor. 16.8-22.6s: Water-bubble hero shot. The REVISION SKINCARE Soothing Facial Rinse bottle becomes the central object inside a glossy clear water sphere with tiny ripples and reflections. Keep the bottle pristine, upright, legible, and unwarped. Preserve the original black packaging and silver-bordered label. 22.6-30.0s: Final group tableau. All four versions of the same woman stand together in the pink bathroom, smiling calmly around the product on the counter. End on a clean premium packshot with the black bottle foregrounded and a minimal end card: “REVISION SKINCARE – SOOTHING FACIAL RINSE” and “Alcohol-free toner for all skin types.” Hold steady for the final beat. Continuity rules: same face across all four looks, no face drift, same pink bathroom throughout, no change to bottle geometry, original black cap and label preserved, no extra brand names, no pink bottle, no pump dispenser, no black dramatic lighting, no clutter, no realism-breaking skin retouching, no excessive camera motion, no product redesign. Negative prompt: other brands, wrong packaging, micellar cleansing water wording, body oil wording, extra bottle shapes, pump dispenser, screw cap removed, cap missing, random text, messy bathroom, dark moody lighting, overblown sparkle, cartoon style, broken hands, warped fingers, label errors, duplicated unwanted characters.
作者 @YourAlphaMom ·
原文を表示してコピー**CAMERA:** DV 16mm tape camcorder handheld feel. MILA from image1 films the opening and closing selfies herself; her gym friend films the dumbbell exercises handheld. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder and camera operator never appear on screen. **LOOK:** Soft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, flickering auto-exposure, muted contrast, realistic skin tones. **STYLE:** Playful, self-deprecating gym-vlog tone — genuine effort mixed with humor. Quick, casual cuts between excerpts from an ongoing workout. Exercise shots begin and end mid-set, with continuous rhythmic repetitions at normal speed. She talks while moving, without stopping to pose. Time passes between clips; equipment setup and camera handoffs happen off-screen. **Character** MILA — a beautiful American Instagram-style brunette model and performer, 20. Long dark-brown hair in a high ponytail, natural skin texture with a light sweat sheen, glossy lips, expressive eyes, soft glam makeup and delicate sparkly stud earrings. Slim athletic figure with a very large, full bust, very full rounded buttocks, a narrow waist, flat stomach, lean arms and slender legs. She wears a cobalt-blue supportive sports bra with thin straps and a deep scoop neckline showing cleavage, paired with matching ultra-short fitted athletic shorts. Bare shoulders, arms and midriff. White ankle socks, sneakers off. She speaks with an American accent. **Setting** A gym dumbbell area in the evening — weight racks, benches, soft overhead lighting. Two other gym-goers exercise casually in the background, away from MILA. An angled mirror naturally reflects her back, blue shorts and legs in wider shots. She uses the same matching pair of small black hex dumbbells throughout. **Storyboard (15s, 6 shots)** 1. *(0–2.5s, moving arm’s-length selfie)* Already walking past the weight rack, MILA smiles toward the lens and briefly glances at the equipment. Her face and blue sports bra are visible; the framing bobs with her footsteps. MILA: “Arm day. This should be quick.” 2. *(2.5–5s, handheld medium shot)* Cut into an ongoing set of standing alternating dumbbell curls. One arm rises as the other lowers; she keeps the rhythm while speaking. The camera drifts slightly with the operator’s movement. MILA: “These felt lighter yesterday.” 3. *(5–7.5s, handheld wider three-quarter shot)* Another excerpt: MILA is already doing lateral raises, repeatedly lifting and lowering both dumbbells without holding a pose. Her rear view is visible in the mirror. MILA (breathless): “I picked the light ones!” 4. *(7.5–9.5s, handheld close-up insert)* Her hand and forearm grip a dumbbell through the continuing repetitions. The camera briefly loses focus as the weight moves, then catches it again. No dialogue — breathing and distant gym sounds. 5. *(9.5–12s, handheld medium-wide shot)* MILA walks briskly past the camera toward the rack, carrying both dumbbells beside her thighs. The operator turns to follow her as she laughs. MILA: “Yep — my arms just quit.” 6. *(12–15s, arm’s-length selfie after the set)* A clear jump cut: the dumbbells have been returned, and MILA is already holding the camera herself. Walking out of the weights area, she shakes out her free hand and grins. MILA: “Same time tomorrow? No promises.”
作者 @HBCoop_ ·
原文を表示してコピーLocked-off camera, no camera movement at all. Hand-painted 2.5D animation, visible brushwork held in every frame. From inside a dark hallway, the heavy panelled door swings open on its hinges on the left of the doorway. Its free edge with the brass handle travels toward us and round to the left, in the first second and a half, until the door stands wide open at the left of the frame. The hinges stay fixed and the door stays rigid. The blade of moonlight on the floor widens as the door opens. As the door clears, a woman in a long oxblood leather coat and a wide-brimmed black hat steps up from the wet cobbled street onto the doorstep, into the doorway, the orange jack-o'-lantern pail swinging by its black handle in the hand on the right of the frame. She stops, facing us, with a soft closed-mouth smile. A black raven flies in from the left, lands on the stone gatepost and folds its wings. Normal real-time speed, no slow motion. Sound: old door hinges creak, boots on wet cobbles, one raven caw, distant wind. No speech, no music.
作者 @SocialSight ·
原文を表示してコピーFormat: 16:9, 15 seconds, photorealistic, a huge cornfield under a stormy orange sunset, wind rippling through the stalks, dozens of scarecrows on wooden posts, crows circling. 0-3s (HOOK): A crow lands on a scarecrow's shoulder and pecks at its straw hat. The scarecrow's head slowly turns to look at the crow. 3-6s: The crow freezes, then flaps away. Across the field, every scarecrow climbs down from its post at once. 6-11s: A massive chase. Dozens of scarecrows run through the corn after the crow, straw flying, cornstalks bending, the camera racing low between the rows. 11-13s: The crow escapes into the sky. The scarecrows stop at the edge of the field, out of breath, straw falling out of their sleeves. 13-15s (BUTTON): The crow returns and lands on a fence post, now wearing a tiny straw hat and a little patched vest. The scarecrows stare. One slowly nods in approval. Camera: low tracking shot racing through the corn rows, then a wide overhead shot of the whole field. Music: driving, tense orchestral strings and pounding drums, ending on a single plucked note.
プロンプトをすべて見る

作例とプロンプトの出典

01

作者の動画と原投稿

各作品に作者と原投稿のリンクがあります。参考にした作品を紹介する際は、その投稿と作者も明記してください。

02

プロンプトは原文のまま

日本語、英語、多言語の指示を、作者が公開した言語で読めます。コピーするテキストも同じ原文です。

用途から選ぶ

CH 01短編映画 同じ人物が登場する複数カットの構成。CH 02アニメーション 画風、身振り、カメラの向きを場面ごとに指定。CH 03Vlog・UGC 手持ち撮影、自撮りの画角、自然な会話。CH 04商品広告 商品の登場から使い方を見せるカットまで。

Kling 4.0の使い方

ブログ（英語）
· Neo DongKling 4.0で最初の商品動画を準備する（英語）商品写真とプロンプトを用意し、最初のカットを確認する手順。記事を読む · Neo DongKling 4.0の商品広告の予算を考える（英語）生成回数、確認、編集、書き出しに必要な費用の考え方。記事を読む · Neo DongKling 4.0で商品写真から動画を作る（英語）一つのカットを設計し、商品の形や色が維持されているか確認します。記事を読む

Kling 4.0とは？

Kling 4.0はKuaishouの動画生成AIです。カメラの動きと場面の展開を指定して、動きのある映像を組み立てられます。

最長30秒の生成、OmniReferenceを使った素材の参照、複数キーフレームの指定に対応します。利用できる設定はモデルのバージョンによって異なります。

プロンプトを自分の作品に合わせる

プロンプトの使い方

  1. STEP 01作例を見る

    動画と原文を見比べ、どのような場面を指定しているか確認します。

  2. STEP 02内容を調整する

    気に入った構図や照明の指定を残し、被写体や場所を変えます。

  3. STEP 03ReelDanceで開く

    制作画面でプロンプトを確認し、必要に応じてご自身の参考画像を追加してください。

ほかの作例の動画やプロンプト全文も確認し、作りたい映像に合うものを探せます。

ほかのプロンプトを見る

よくある質問

// KLING 4.0 · 7 件の質問

Q01

Kling 4.0とは？

Kuaishouの動画生成AIです。被写体の動きやカメラワークを文章で指示し、参考画像を使って場面を設計できます。

Q02

プロンプトの閲覧やコピーに料金はかかりますか？

作例とプロンプトは無料で閲覧・コピーできます。ReelDanceで動画を生成する際は、選んだモデルと設定に応じてクレジットが必要です。

Q03

作例は誰が公開したものですか？

各ページに作者と原投稿のリンクがあります。Kling 4.0 Flashで制作された例はFlashの作例として記載しています。

Q04

カメラワークを残したまま題材を変えるには？

カメラの位置、動く方向、タイミングの記述を残し、人物や商品、背景を書き換えます。結果を見ながら一つずつ調整してください。

Q05

複数カットのプロンプトはどう書きますか？

場面をカット番号や秒数で区切り、各カットの主役、動作、画角を記述します。秒数は演出の目安として使えます。

Q06

参考画像や音声を使う例はありますか？

原文に記載された入力素材を確認し、ご自身の参考素材を用意してください。利用できる形式や上限は選んだモデルによって異なります。

Q07

英語や日本語のプロンプトは翻訳されていますか？

コピーされるテキストは、作者が公開した言語の原文です。日本語の作例は言語フィルターから探せます。