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Kling 4.0 vs Seedance 2.5: A town that bakes the moonのプロンプト

Kling 4.0 vs Seedance 2.5: A town that bakes the moonのプロンプト。 @SocialSightによるKling 4.0の作例と原文を掲載。

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プロンプトKling 4.0 vs Seedance 2.5: A town that bakes the moon
Kling 4.0 音声あり

Kling 4.0とは？

Kling 4.0はKuaishouの動画生成AIです。カメラの動きと場面の展開を指定して、動きのある映像を組み立てられます。

最長30秒の生成、OmniReferenceを使った素材の参照、複数キーフレームの指定に対応します。利用できる設定はモデルのバージョンによって異なります。

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最終フェリーでの恋の場面

@minchoi ·

"A cinematic, aching love scene on the last ferry of the night, crossing a dark sea in the rain. [Jules], the red-haired woman in the rust-orange wool coat with a single gold hexagon earring in her left ear, and [Harry] , the clean-cut man in his late 20s with neat side-parted light-brown hair and an olive work jacket, sit side by side on a bench seat by a rain-streaked window in the quiet ferry café. Harbour lights shrink into the dark behind the glass. Intimate romantic drama, six shots. 0s–5s: Wide two-shot from across the empty café. Jules watches the harbour lights recede; Harry watches only her. [Jules: warm quick Glaswegian voice, quiet and wistful]: "This is the last ferry, you know." A beat. [Harry: slow Central Texas drawl, soft and low]: "I know." 5s–10s: Close-up on Jules in profile against the window, rain shadows sliding down her face. She keeps her eyes on the lights and forces a small smile that doesn't reach her eyes. [Jules, trying to sound light]: "Tomorrow you're on a plane, and I'm back to talking to the gulls." 10s–14s: Close-up on Harry. He turns fully toward her, earnest, his voice barely above the engine hum, and his hand finds hers on the bench. [Harry, tender, hopeful]: "Then come with me." 14s–19s: Close-up on Jules. Her composure cracks; her eyes fill, a small broken laugh escapes, and she shakes her head without looking at him. [Jules, voice trembling]: "Don't. Don't make it sound easy." 19s–25s: Tight two-shot. He lifts her hand and holds it against his chest; she finally turns to meet his eyes. [Harry, hoarse, full of feeling]: "Nothing about you's been easy, darlin'. That's why I keep coming back." 25s–30s: Extreme close-up of the two of them, foreheads touching, eyes closed, the harbour lights a soft blur behind them. [Jules, a whisper]: "Then keep coming back." [Harry, a whisper, smiling through it]: "Every time. Every single time." The ferry horn sounds low in the distance.Warm tungsten café lamps against cold blue storm light from the window, shallow depth of field, natural skin texture, glistening eyes, subtle film grain. Sound: rain on glass, the engine hum, the creak of the hull, a soft piano note under the final line."

地下神殿の幻想的な光景

@itxsarmadd ·

DURATION: EXACTLY 10 SECONDS ASPECT RATIO: 16:9 STYLE: Premium Hollywood live-action psychological horror, ultra-photorealistic humans, grounded CGI, realistic physics, elegant Japanese dark fantasy, desaturated cinematic photography. No anime rendering. ENVIRONMENT Vast abandoned underground Japanese temple. Aged wooden pillars, black stone flooring, shallow reflective water, old oil lanterns, faint moonlight and floor-level mist. Deep architectural layers create oppressive atmosphere and strong spatial depth. LIGHTING / COLOR Cold blue-gray moonlight, restrained amber lanterns, detailed shadows, subtle haze, realistic reflections, natural skin tones. Desaturated charcoal, black, gray, and weathered wood. No neon. ACEN Calm, composed, elegant, intimidating. Natural human performance. Zanpakutō remains physically consistent. CORE CONCEPT Kyōka Suigetsu manifests gradually: EMPTY SPACE → SUBTLE DISTORTION → TRANSPARENT ACEN → INCREASING DENSITY → FULLY REALISTIC ACEN. Approximately 12–14 manifestations emerge asynchronously across different depths and positions, never in formations. No instant appearance, teleportation, holograms or pop-in. Each has subtle, independent human movements. ACTION / CAMERA 0.0–1.5s — ACTIVATION Medium-wide shot. Camera slowly arcs around Acen as he draws his Zanpakutō. Cold light catches the blade. He quietly says “Kudakero, Kyōka Suigetsu.” Metallic blade sound and distant ambience only. No aura or explosion. 1.5–3.0s — FIRST MANIFESTATIONS Camera continues moving. Empty space behind a pillar subtly distorts, gradually forming a transparent Acen. Three more emerge independently near a wall pillar, and water. Background remains visible through them. Subtle blinking and head movements. 3.0–5.0s — THE ROOM BEGINS TO FILL Lateral tracking reveals additional Acens behind pillars and near the water. Some are faint, others 50–70% opaque and one nearly solid. Natural breathing, posture adjustments, and subtle sword-grip movements. No synchronization. 5.0–7.0s — COMPLETE HYPNOSIS ESCALATES Camera passes foreground architecture, revealing 9–11 scattered manifestations across different depths. Some are partially hidden or visible through reflections. Skin, fabric, shadows, reflections and mist gradually respond like real physical bodies. 7.0–8.8s — REALITY BECOMES UNTRUSTWORTHY Passing another pillar reveals 12–14 Acens throughout the sanctuary.Some are solid, some translucent others obscured. Every manifestation develops gradually from empty space. No attacks or theatrical reactions. 8.8–10.0s — FINAL REVEAL Camera passes a final pillar, revealing a fully solid Acen close to the lens. No glow or distortion.He calmly looks toward the camera with a faint smile. Numerous manifestations remain scattered behind him in different states of solidity.The original is indistinguishable.CUT TO BLACK. CAMERA LANGUAGE Continuous lateral tracking with a subtle orbital arc. Use pillars darkness, and parallax to reveal manifestations naturally. Maintain spatial depth. No frantic handheld random shake, or unnecessary cuts. VFX / PHYSICS:Grounded CGI, realistic human integration, progressive solidity, consistent shadows and reflections natural fabric movement, mist displacement and water interaction. No holograms, glowing edges particles, dissolves or teleportation. PERFORMANCEAcen remains unnervingly calm. No screaming, exaggerated expressions, attacks, or unnecessary sword choreography. Horror comes from numerous realistic versions occupying the sanctuary. NEGATIVE: Anime, cartoon, videogame render plastic skin, holograms, clone formations synchronized movements, static mannequins, instant materialization teleportation, magical explosions, neon, distorted anatomy duplicated limbs, floating sword inconsistent reflections or shadows rubber physics excessive camera shake chaotic editing cheap horror oversaturated colors.

生きている異星の交通ターミナル

@Alin_Reaper05 ·

First-person cinematic POV inside a living extraterrestrial transit terminal grown from pale coral and translucent membranes. An original humanoid alien with opalescent skin, narrow amber eyes, and delicate crystalline ridges sits beside a basin of luminous drinking water. Its anatomy remains consistent throughout. As the viewer approaches, it covers the basin with one trembling hand. In a soft, precise English voice, it says: “Don't drink the water. It carries the colony's memories. Drink enough... and there won't be any room left for yours.” Moving shadows inside the water briefly resemble thousands of crowded faces. The alien struggles to recall a word, then falls silent. One continuous take, intimate framing, photoreal creature effects, organic architecture, cold bioluminescent lighting, subtle breathing and distant biological pulses, clear lip sync, no captions. 😉

ブラックウッドの森を駆け抜ける

@EndFolding79421 ·

Late afternoon fading toward dusk in Blackwood Forest.Endless North Georgia pine and oak forest stretches in every direction. The forest is completely wild and undeveloped, with no visible trails, roads, paths, markers, campsites, fences, or signs of human maintenance.The woman 📷runs alone through the woods.Begin with a high overhead shot looking down through the canopy before descending toward her.Cut to a handheld tracking shot behind her shoulder as she moves through dense woodland, weaving between pine trunks, stepping over roots and fallen branches, forcing her way through untouched forest undergrowth.She glances behind her while continuing forward.Cut to a low-angle shot from the forest floor as she rushes past.A crow suddenly bursts from a nearby tree and flies away.Cut to a wide shot revealing how small she is compared to the massive forest surrounding her.The camera slowly pulls back as she continues deeper into Blackwood. No slasher. No other humans.The forest is completely wild and undeveloped, with no visible trails, roads, paths, markers, campsites, fences, or signs of human maintenance.

山小屋でのホラーシーン

@EndFolding79421 ·

Foggy early morning pine forest. A weathered moss-covered log cabin sits alone among tall trees📷.The camera slowly pushes forward along the dirt path toward the cabin door . The porch swing gently moves in the wind.Suddenly the cabin door bursts open.A frightened blonde woman 📷, dirty and bruised, wearing a torn white tank top and dark pants, stumbles out and falls onto the porch, half her body outside and legs still inside the doorway.She looks up toward the camera in terror and screams for help.From inside the cabin behind her , the Blackwood Slasher 📷 in a hooded black raincoat and mask slowly steps forward with an axe .He grabs her ankle and drags her violently back inside the cabin.The door slams shut.The camera remains still on the silent foggy cabin as the porch swing slowly moves.urns to silence. cinematic horror film style,slow push-in camera movement,realistic lighting,foggy forest atmosphere,tense suspense pacing,dramatic jump scare,realistic human motion

夕日の屋上で踊るタップダンス

@EndFolding79421 ·

A beautiful woman in a flowing dress is joyfully tap dancing on a rooftop at sunset. Her skirt twirls as she moves with light, expressive energy. The golden light of the sun reflects off her skin and hair while a gentle breeze lifts the hem of her dress. [tracking shot, low angle] as the camera follows her lively steps, capturing her rhythm and grace in the open rooftop space. Her smile glows with pure happiness as she dances against the silhouette of the city skyline.[tracking shot, low angle] begins as she starts dancing and follows her tapping steps across the rooftop.Mood: Joyful, lighthearted, energetic with warmth and motion.sunset rooftop, flowing dress, soft breeze, happy expression, energetic movement, golden hour light, cinematic joy, expressive motion, warm colors

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