季節を秋に変える映像編集
Change the season from late summer to late autumn: orange and red leaves on the trees and on the gravel, cooler softer light. Keep the people, the dog and all actions unchanged.
動画プロンプト
犬を恐竜に変える映像編集のプロンプト
犬を恐竜に変える映像編集のプロンプト。既存の公園映像を使い、黄色いボールを取ってくる小さな恐竜を描きます。 @shikoba_86によるKling 4.0の作例と原文を掲載。
プロンプトを自分の作品に合わせる
プロンプト犬を恐竜に変える映像編集
Kling 4.0とは？
Kling 4.0はKuaishouの動画生成AIです。カメラの動きと場面の展開を指定して、動きのある映像を組み立てられます。
最長30秒の生成、OmniReferenceを使った素材の参照、複数キーフレームの指定に対応します。利用できる設定はモデルのバージョンによって異なります。
プロンプトの使い方
- STEP 01作例を見る
動画と原文を見比べ、どのような場面を指定しているか確認します。
- STEP 02内容を調整する
気に入った構図や照明の指定を残し、被写体や場所を変えます。
- STEP 03ReelDanceで開く
制作画面でプロンプトを確認し、必要に応じてご自身の参考画像を追加してください。
ほかの作例の動画やプロンプト全文も確認し、作りたい映像に合うものを探せます。
ほかのプロンプトを見る関連作品：Kling 4.0
キツネと秋のフランネルの映像編集
Replace the dog with a red fox, change the season to late autumn, and change Friend A's denim jacket to a red flannel shirt. Keep all actions and the dialogue unchanged.
映像に三人目の友人を加える
Add a third friend sitting in the empty space in the middle of the bench, between Friend A (curly black hair, denim jacket) and Friend B (blond, green hoodie): a woman in her late 20s with a long dark braid and a yellow raincoat. She sits in this same spot, between the two friends, in every shot. Keep the bench, its length and its armrests exactly as they are. She watches the dog and laughs with the others. Keep everything else unchanged.
A code-prompt visual experiment
fn fib(n) { if (n < 2) { return n; } return fib(n - 1) + fib(n - 2); } let primes = []; let n = 2; while (len(primes) < 10) { let is_prime = 1; let d = 2; while (d * d <= n && is_prime) { if (n % d == 0) { is_prime = 0; } d += 1; } if (is_prime) { push(primes, n); } n += 1;
最終フェリーでの恋の場面
@minchoi ·
"A cinematic, aching love scene on the last ferry of the night, crossing a dark sea in the rain. [Jules], the red-haired woman in the rust-orange wool coat with a single gold hexagon earring in her left ear, and [Harry] , the clean-cut man in his late 20s with neat side-parted light-brown hair and an olive work jacket, sit side by side on a bench seat by a rain-streaked window in the quiet ferry café. Harbour lights shrink into the dark behind the glass. Intimate romantic drama, six shots. 0s–5s: Wide two-shot from across the empty café. Jules watches the harbour lights recede; Harry watches only her. [Jules: warm quick Glaswegian voice, quiet and wistful]: "This is the last ferry, you know." A beat. [Harry: slow Central Texas drawl, soft and low]: "I know." 5s–10s: Close-up on Jules in profile against the window, rain shadows sliding down her face. She keeps her eyes on the lights and forces a small smile that doesn't reach her eyes. [Jules, trying to sound light]: "Tomorrow you're on a plane, and I'm back to talking to the gulls." 10s–14s: Close-up on Harry. He turns fully toward her, earnest, his voice barely above the engine hum, and his hand finds hers on the bench. [Harry, tender, hopeful]: "Then come with me." 14s–19s: Close-up on Jules. Her composure cracks; her eyes fill, a small broken laugh escapes, and she shakes her head without looking at him. [Jules, voice trembling]: "Don't. Don't make it sound easy." 19s–25s: Tight two-shot. He lifts her hand and holds it against his chest; she finally turns to meet his eyes. [Harry, hoarse, full of feeling]: "Nothing about you's been easy, darlin'. That's why I keep coming back." 25s–30s: Extreme close-up of the two of them, foreheads touching, eyes closed, the harbour lights a soft blur behind them. [Jules, a whisper]: "Then keep coming back." [Harry, a whisper, smiling through it]: "Every time. Every single time." The ferry horn sounds low in the distance.Warm tungsten café lamps against cold blue storm light from the window, shallow depth of field, natural skin texture, glistening eyes, subtle film grain. Sound: rain on glass, the engine hum, the creak of the hull, a soft piano note under the final line."
白樺の炭酸水の広告
@minchoi ·
"A premium product ad for [Fernloch] sparkling birch water: a clear glass bottle of crystal-clear sparkling water with fine bubbles, its dark-green label reading "FERNLOCH" and "SPARKLING BIRCH WATER". Clean, bright commercial style, four shots. 0s–3s: Macro close-up sliding slowly along the bottle; the label fills the frame, fine bubbles rising inside, condensation beading on the glass. 3s–7s: Side angle at counter height. [Jules]'s hand in a rust-orange coat sleeve lifts the bottle by its shoulder and pours crystal-clear sparkling water into a heavy glass tumbler as fine bubbles race up. 7s–11s: Front angle, label facing the camera. She sets the bottle down upright beside the full glass. 11s–15s: Medium shot across the counter. [Harry]'s hand in an olive jacket sleeve takes the bottle by the neck and lifts it toward the lens, label facing the camera.Soft window light from the left, pale oak counter, warm-white wall, the label crisp and readable in every shot, gentle fizz and a soft glass clink."
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