作成を始める

画像プロンプト

写真と線画で作る思い出カードのプロンプト

1 / 3Original artwork 1 by @harboriis

写真と線画で作る思い出カードのプロンプト。@harboriisの作例で、完成画像と指示の原文を確認できます。

プロンプトを自分の作品に合わせる

プロンプト写真と線画で作る思い出カード
画面比率

スタジオでは最大2,000文字まで入力できます。生成前に使いたい指示を選んで短くしてください。

原文では参考写真が必要です。ここに表示しているのは作者の生成結果です。

Original artwork 1 by @harboriis

Split-Frame Photo to Minimalist Ink Wash Reconstruction

@harboriis

Split-Frame Ink Wash Reconstruction 3:4 vertical composition · photo / ink wash split · contemporary Eastern aesthetic The image is in a 3:4 vertical composition, divided into two regions, with a strict 1:1 ratio, each taking up 50% of the image. Upper Region — Original Photo Shoot Area Preserves the subject's identity, structure, perspective, and true material, natural light, and original color atmosphere, with only slight high-end color grading and image purification, presenting it with the texture of art magazines or exhibition photography. It allows for a moderate expansion of the background to fit the screen size, but does not stretch, distort, or reshape the subject, without changing the subject's structure, posture, and core composition. Lower Region — Minimalist Ink Wash Reconstruction Area First, refine the subject with the most memorable details, such as the outline, structure, trend, perspective, rhythm, and atmosphere, and then reconstruct the same scene into a minimalist ink wash material landscape. Do not copy the photo details, do not make a realistic copy, only preserve the most recognizable structure and charm, allowing people to recognize the corresponding relationship between the upper region and the original photo at first glance. The overall base of the lower half is milky white, warm white or paper white, with delicate paper fiber and natural texture. The main body is reconstructed in ink wash blending, dry-wet interplay, flying white, seepage, ink accumulation, and white space, forming a quiet, restrained, and poetic Eastern visual. Removing secondary details, only retaining the most distinctive contours, structural turns, spatial layers, and breath, not pursuing realistic completeness, but rather summarizing, refining, and leaving a lingering impression. The use of ink in black, gray, and light ink tones, layered and progressing, with varying intensities and rhythms. The most vibrant colors can be extracted from the original image to create a few spots of dyeing or coloring, without mechanically replicating the color values. The colors can be transformed locally into clear blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, etc., to emphasize the main focus and emotional rhythm, but the overall composition is still dominated by ink tones and negative space. Avoiding dull, heavy, old brown, excessive decoration, and vulgar color combinations. The main core areas should be more refined and concentrated, with edges gradually loosening, breaking away, disappearing, and scattering, forming a sense of breathing with the large negative space. The lower half of the composition should account for about 30%–45%, with the rest reserved for large negative spaces. The composition can be biased, framed, suspended, or slightly cut, but must maintain an asymmetrical balance and a high-end editorial feel. Negative space is not blank, but an important component of the visual structure. It is better to reduce information than to fill the entire image, so that the main focus looks like an ink seal or an oriental material work displayed on a page. Text Treatment Text is only allowed a very small amount of editing intervention, without preset titles and numbers. A small number of words or short sentences can be extracted from the subject, location, time, action, emotion, or metaphor, and quietly placed in the blank area or the edge of the subject. The text should be restrained, sparse, and have a sense of breathing, not noisy or dominant. Overall Presentation Contemporary Eastern aesthetics, minimalist ink wash reconstruction, large-scale art blank, small-scale seal impression, quiet editing layout and exhibition poster style. Avoid complex backgrounds, piled-up real details, overly decorative, excessive text, template layout and filled composition.

原文を表示してコピー
Original artwork 1 by @harboriis

People-Only Crayon Doodle Transformation

@harboriis

Transform only the people in the uploaded photo into cute hand-drawn crayon doodle characters, while everything else in the photograph stays untouched and fully photographic. FORMAT: Vertical 3:4. Keep the original framing, camera angle, lens perspective, lighting and colors. BACKGROUND LOCK: Walls, sky, buildings, car interiors, graffiti, signs, text, furniture, water, ground and every object stay 100% photographic and unchanged. No doodle strokes, outlines or paper texture anywhere outside the people. CHARACTER: Replace each person with a chibi doodle version of themselves in the exact same position, scale, angle and pose. Oversized round head about one third of the body height, short simplified torso and limbs, small mitten-like hands. Keep head tilt, body direction, gestures, hand positions and interactions exactly as photographed. Never turn a person toward the camera. FACE: Minimal and cute. Tiny solid dot eyes or small curved closed-eye lines, short thick dash eyebrows that carry the original expression, a tiny hooked nose line, a small simple mouth matching the original expression, and round scribbled rosy-pink blush circles on both cheeks. Draw eyes only where they are visible; if sunglasses cover them, show only the sunglasses. IDENTITY DETAILS: Keep the exact hairstyle, hair color and volume, drawn as dense scribbled crayon strokes, with curls as loose looping scribbles. Keep every clothing color, garment shape, collar, sleeve and printed graphic. Redraw all accessories in bold simplified detail: sunglasses with glossy black lenses and white highlight streaks, chains, pendants, earrings, rings, headphones, earphone cables, bags and straps. Show visible stubble, beard or chest hair as light scribbles. DRAWING TECHNIQUE: Hand-drawn oil pastel and wax crayon on textured paper. Bold, uneven black crayon outlines, dense directional hatching fills in rich colors matched to the photo, visible paper grain, slightly wobbly imperfect shapes, small uncolored flecks inside the fills, and simple crayon fold lines on clothing. INTEGRATION: The doodle sits exactly where the real person was, as, with with correct correct scale, depth, overlap and contact with seats, walls, cars and the ground. Objects held in the hand, such as phones or cups, stay photographic. FINAL LOOK: A real, untouched photograph where only the people have been redrawn by hand as adorable crayon doodles, a clear mixed-media contrast between realistic photography and handmade drawing. NEGATIVE PROMPT Full-image illustration, doodled or stylized background, altered background, cartoon scenery, realistic human face, realistic anatomy, anime, manga, 3D render, Pixar style, vector art, smooth digital shading, thin clean lines, changed pose, rotated body, invented facial features, extra people, missing accessories, altered text or signage, color shift, added objects

原文を表示してコピー
Original artwork 1 by @Adam38363368936

夜晚街头胶片快照

@Adam38363368936

参考上传人物的面部衣着特征不发生变化。具有ins风的画面，胶片质感明显，有着轻微的噪点，同时带有运动模糊效果，给人一种平凡无奇、随手拍摄的快照既视感。画面中的主角双手抱胸，歪着头，头发随着风轻轻飘动，显得格外随性。背景是夜晚的场景，背后的车流穿梭不停，整体没有刻意的主体和构图。

原文を表示してコピー
Original artwork 1 by @Adam38363368936

计算草稿纸上的随手涂鸦

@Adam38363368936

画面呈现出一种随性的简笔插画风，一张充满密密麻麻计算的草稿纸占据了大部分画面，计算的字迹凌乱且潦草。在这片凌乱之中，照片中的人以黑色签字笔画出，线条凌乱无序，它似乎迷失在这复杂的计算世界里，像是书写者写累后一时兴起的随手涂鸦。整体画面构图随意，光影上着重突出线条的对比，让图片中人物和草稿纸的凌乱感更加明显

原文を表示してコピー
Original artwork 1 by @Naiknelofar788

Halftone Architectural Travel Collage

@Naiknelofar788

Turn this structure photo into a single high-end halftone architectural travel-collage poster. Output one poster per uploaded photo — never merge multiple structures or photos into one frame. FORMAT 3:4 vertical canvas. Split into two roughly equal zones — real architectural photo on top, printed reconstruction below — divided by one clean, sharp horizontal line. Do not stretch, warp, tilt, or unnaturally reposition the structure to force the proportions. TOP HALF — THE REAL SHOT Preserve the original structure faithfully: same architecture, proportions, perspective, distinctive details, surrounding elements, natural light and shadow, and original color mood. Keep recognizable features such as: * façade * windows and arches * towers or domes * doors and structural details * roofline * surrounding landscape or street elements Add only a subtle high-end color grade and the faintest film grain. Do not redesign or reinterpret the architecture. BOTTOM HALF — THE PRINTED RECONSTRUCTION Rebuild the same structure as an experimental printed architectural collage using: torn photographic fragments + fixed-width ASCII character fields + photocopy halftone dots + architectural linework. The structure must remain immediately recognizable. * Torn-edge photographic fragments preserve the most important architectural details. * Brick, stone, glass, metal, shadows, windows, and surrounding textures gradually dissolve outward into ASCII characters, black halftone dots, fragmented print grain, and fine architectural drafting lines. * Use thin technical construction lines to subtly trace the structure’s geometry. * Let selected areas break apart into paper fibers and halftone fragments, creating the feeling that the building is emerging from an archival print. * Keep the main silhouette strong and readable. * Texture: rough white paper-fiber edges, subtle photocopy imperfections, slight print misregistration, faded ink, old-paper stains, a few restrained crop marks, and one small red calibration bar. * Color: warm gray old-paper background + black ink + the structure’s original muted colors + a single restrained red accent. * Never fully desaturate the structure. The structure should occupy roughly 60–88% of the frame width, scaled according to what reads best for the architecture. Leave 22–38% of the paper visibly untouched and empty, creating generous negative space so the poster feels like an archival architectural specimen rather than a packed digital screen. TYPOGRAPHY Add one clean, readable fixed-width architectural title based on the structure: [STRUCTURE NAME] Below it include: [CITY, COUNTRY] REC. STUDY 01 Add one short observational caption related to the architecture, such as: “A monumental study in geometry, time, and place.” Typography should feel like an old architectural archive mixed with an underground experimental design journal. A few loose ASCII glyphs may trace the outer silhouette or architectural edges as texture only — never use ASCII to invent windows, doors, structural details, or technical specifications. MOOD Early digital systems × analog photocopy × architectural archive × underground zine × modern travel editorial. The structure should feel like it is surfacing from an old printed document — half photograph, half architectural drawing, half experimental print. Sophisticated, minimal, tactile, intellectual, slightly mysterious, and highly collectible. AVOID Solid black terminal backgrounds, dense walls of code, cyberpunk neon, excessive ASCII, distorted architecture, impossible geometry, invented architectural details, fake technical specifications, random symbols with no meaning, garbled text, excessive colors, brand logos, QR codes, watermarks, author credits, or tourist-poster clichés. Priority: Preserve the structure’s identity and architectural accuracy first. The experimental halftone/ASCII treatment should enhance the architecture, not hide it.

原文を表示してコピー
Original artwork 1 by @Goodmanprotocol

Portrait to Halftone Travel Collage

@Goodmanprotocol

Turn this portrait photo into a single high-end halftone travel-collage poster. Output one poster per uploaded photo — never merge multiple photos into one frame. FORMAT 3:4 vertical canvas. Split into two roughly equal zones — real photo on top, printed collage below — divided by one clean, sharp horizontal line. Do not stretch, warp, or reposition the figure to force the proportions. TOP HALF — THE REAL SHOT Preserve the original photo faithfully: same identity, face, expression, pose, hands, layered clothing, headphones/books/devices/personal items, background structure, natural light and shadow, original color mood. Add only a light high-end color grade and the faintest film grain. Do not redraw or reinterpret the person. BOTTOM HALF — THE PRINTED RECONSTRUCTION Same warm gray old-paper background. Rebuild the same figure as a printed collage: torn photographic slices + fixed-width ASCII character fields + photocopy halftone dots. - Keep face, hands, hairstyle, headphones, layered clothing, and one signature item recognizable — identity must survive the breakdown. - Torn-edge photo fragments carry the face and key structural lines; fabric, shadow, and background dissolve outward into ASCII characters, black halftone dots, and fractured print grain. - Texture: rough white paper-fiber edges, slight print misregistration, old paper stains, a couple of crop marks, one restrained red calibration bar. - Color: warm gray paper + black ink + the photo's own muted original colors + the single red accent. Never fully desaturate. - Figure fills roughly 60–88% of the frame width (scale to whatever reads best for this image) — but always leave 22–38% of the paper untouched and empty, so it reads as archival print, not a packed terminal screen. - Add one readable fixed-width title pulled from the photo's theme, plus the line "REC. STUDY 01" and one short observational caption. A few loose ASCII glyphs can trace the figure's edge as texture only — never used to fake body detail or invent specs. MOOD Early digital systems meets analog photocopy meets underground zine meets modern travel editorial. The figure should feel like it's surfacing — half photograph, half character, half print — restrained, archival, a little experimental. AVOID Solid black terminal backgrounds, walls of dense code, cyberpunk neon, fully hidden faces, random symbols with no meaning, invented technical readouts, garbled fake text, author credits, brand logos, QR codes, watermarks.

原文を表示してコピー

カテゴリ一覧

● REC · CUT TO YOU

作例と原文は無料で閲覧できます。

画像プロンプトを探して、自分の作品に合わせて使えます。

ReelDanceを開くほかのプロンプトを見る