A Character’s Everyday Camera Roll
@sakisuta_
参照画像の人物の1日ぶんのカメラロールを、iPhoneの写真アプリの画面をそのまま切り取った1枚の画像にする。 何気ない日常を撮影したようなリアルなカメラロールにする。
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キャラクターの失敗写真を並べた九分割画面のプロンプト
キャラクターの失敗写真を並べた九分割画面のプロンプト。@DeepBlueX0の作例で、完成画像と指示の原文を確認できます。
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プロンプトキャラクターの失敗写真を並べた九分割画面
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関連作品：GPT Image 2.5
Handcrafted Colored-Pencil Travel Poster
@Naiknelofar788
Create a sophisticated handcrafted travel-art poster of [LANDMARK / CITY / COUNTRY], illustrated entirely with colored pencils and wax crayons on warm ivory paper. Depict [LANDMARK / CITY / COUNTRY] as if it has been drawn from memory by an exceptionally talented artist — recognizable architecture and proportions, but expressed through energetic imperfect pencil strokes, layered wax-crayon marks, loose cross-hatching, scribbled shading, overlapping colors, and visible hand pressure. Instead of filling the landmark with flat color, let hundreds of expressive pencil strokes build its form. Allow certain strokes to extend beyond the architectural edges, creating a sense of movement and imagination. Add tiny hand-drawn visual memories around and within the composition: local patterns, plants, birds, windows, streets, clouds, cultural motifs, landscape elements and subtle symbols associated with the place. Use a limited but vibrant destination-inspired palette: [COLORS]. Keep some areas intentionally unfinished, allowing the ivory paper to remain visible. Add small imperfect handwritten-style typography: [COUNTRY / CITY] [LANDMARK NAME] [COORDINATES OR SHORT PHRASE] The result should feel like a rare artist’s sketchbook page transformed into a premium contemporary travel poster — playful, tactile, nostalgic, artistic and highly detailed. Visible colored-pencil grain, wax-crayon texture, imperfect outlines, layered strokes, subtle paper fibers, hand-drawn imperfections, sophisticated composition, strong negative space, no photorealism, no 3D rendering, no glossy digital effects, no people, 4:5 vertical. An even more unique variation: “Pencil Explosion” The landmark stays recognizable in the center, but its colors and pencil strokes progressively break apart into tiny illustrated memories of the city — almost like the drawing is coming alive. That would preserve the exact crayon/pencil aesthetic of your reference while giving it a much more original concept.
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Split-Frame Photo to Minimalist Ink Wash Reconstruction
@harboriis
Split-Frame Ink Wash Reconstruction 3:4 vertical composition · photo / ink wash split · contemporary Eastern aesthetic The image is in a 3:4 vertical composition, divided into two regions, with a strict 1:1 ratio, each taking up 50% of the image. Upper Region — Original Photo Shoot Area Preserves the subject's identity, structure, perspective, and true material, natural light, and original color atmosphere, with only slight high-end color grading and image purification, presenting it with the texture of art magazines or exhibition photography. It allows for a moderate expansion of the background to fit the screen size, but does not stretch, distort, or reshape the subject, without changing the subject's structure, posture, and core composition. Lower Region — Minimalist Ink Wash Reconstruction Area First, refine the subject with the most memorable details, such as the outline, structure, trend, perspective, rhythm, and atmosphere, and then reconstruct the same scene into a minimalist ink wash material landscape. Do not copy the photo details, do not make a realistic copy, only preserve the most recognizable structure and charm, allowing people to recognize the corresponding relationship between the upper region and the original photo at first glance. The overall base of the lower half is milky white, warm white or paper white, with delicate paper fiber and natural texture. The main body is reconstructed in ink wash blending, dry-wet interplay, flying white, seepage, ink accumulation, and white space, forming a quiet, restrained, and poetic Eastern visual. Removing secondary details, only retaining the most distinctive contours, structural turns, spatial layers, and breath, not pursuing realistic completeness, but rather summarizing, refining, and leaving a lingering impression. The use of ink in black, gray, and light ink tones, layered and progressing, with varying intensities and rhythms. The most vibrant colors can be extracted from the original image to create a few spots of dyeing or coloring, without mechanically replicating the color values. The colors can be transformed locally into clear blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, etc., to emphasize the main focus and emotional rhythm, but the overall composition is still dominated by ink tones and negative space. Avoiding dull, heavy, old brown, excessive decoration, and vulgar color combinations. The main core areas should be more refined and concentrated, with edges gradually loosening, breaking away, disappearing, and scattering, forming a sense of breathing with the large negative space. The lower half of the composition should account for about 30%–45%, with the rest reserved for large negative spaces. The composition can be biased, framed, suspended, or slightly cut, but must maintain an asymmetrical balance and a high-end editorial feel. Negative space is not blank, but an important component of the visual structure. It is better to reduce information than to fill the entire image, so that the main focus looks like an ink seal or an oriental material work displayed on a page. Text Treatment Text is only allowed a very small amount of editing intervention, without preset titles and numbers. A small number of words or short sentences can be extracted from the subject, location, time, action, emotion, or metaphor, and quietly placed in the blank area or the edge of the subject. The text should be restrained, sparse, and have a sense of breathing, not noisy or dominant. Overall Presentation Contemporary Eastern aesthetics, minimalist ink wash reconstruction, large-scale art blank, small-scale seal impression, quiet editing layout and exhibition poster style. Avoid complex backgrounds, piled-up real details, overly decorative, excessive text, template layout and filled composition.
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1960s Italian Street Fashion Editorial with Vespa & Sidecar
@mehvishs25
Create a photorealistic high-fashion street photograph set on a charming European café street, styled like a surreal yet believable 1960s Italian fashion editorial. A young adult woman is seated gracefully along the edge of a vintage powder-blue Vespa-inspired scooter. Attached to the scooter is an unusually large, highly polished canary-yellow sidecar, creating a bold pop of color and an eccentric fashion-editorial focal point. She wears an extravagant icy-blue couture midi dress constructed from layers of sculptural 3D ruffles, delicate shredded tulle, feather-like fabric petals, translucent organza strips, and subtle dark decorative accents. The silhouette is intentionally oversized and cloud-like, with a dramatic neckline and exaggerated architectural shoulders. The outfit should feel luxurious, theatrical, and unmistakably haute couture rather than costume-like. Her styling is distinctly retro-glamorous: sleek jet-black hair pulled into a perfectly smooth low bun with a precise center part, porcelain-toned skin, sharply defined brows, dramatic black winged eyeliner, and intensely vivid matte-red lipstick. Oversized white cat-eye sunglasses with deep black lenses complete the look. Accessories include a structured emerald-green handbag and striking yellow pointed-toe stiletto pumps featuring refined black detailing. Her pose is elegant and controlled, with a sophisticated, slightly aloof expression. Capture her entire figure naturally within the frame, emphasizing the dramatic proportions of the couture silhouette and the unusual scooter-sidecar combination. The setting is an authentic old European café with dark wooden window frames, weathered beige plaster walls, gingham-covered outdoor tables, and a vintage red “CAFE” sign. Warm amber illumination spills from inside the café, contrasting beautifully with the cooler blue dress and scooter. Photograph the scene with direct on-camera flash combined with the existing warm environmental lighting. Use saturated but natural colors, crisp flash highlights, subtle shadows, realistic skin texture, authentic fabric detail, and fine 35mm film grain. The final image should resemble a rare vintage Italian fashion editorial photographed for a contemporary luxury magazine. Vertical 3:4 composition, full-body framing, realistic perspective, high-resolution photography, sophisticated color grading, tactile materials, natural anatomy, believable reflections, cinematic depth, premium editorial photography. Avoid: generic or minimalist café interiors, ordinary casual clothing, understated fashion, simple dresses, soft beauty lighting, artificial-looking skin, CGI appearance, illustration, anime, cartoon styling, distorted anatomy, malformed hands or feet, warped scooter geometry, unrealistic sidecar proportions, excessive blur, plastic textures, or an obviously AI-generated appearance.
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Noble-Beige Quiet Luxury Autumn Editorial
@Goodmanprotocol
Create a premium 4:5 vertical noble-beige autumn editorial artwork for [COUNTRY / LOCATION / SUBJECT]. TEXT-TO-IMAGE ONLY — generate the entire artwork creatively from [COUNTRY / LOCATION / SUBJECT] alone. No reference image required. CORE CONCEPT Create a small, intimate autumn moment surrounded by generous warm ivory negative space, as if a precious fragment of an autumn memory has been painted onto a luxury art-book page. Automatically determine the most fitting human figure, setting, foliage, atmosphere, and seasonal details associated with [COUNTRY / LOCATION / SUBJECT]. SUBJECT & WARDROBE Place one elegant human figure within the scene, wearing understated Italian quiet-luxury autumn clothing: soft cashmere, fine wool, brushed suede, or refined natural fabrics with relaxed tailoring. Use a sophisticated tonal wardrobe of ivory, cream, oatmeal, sand, camel, cappuccino, taupe, and soft greige. Keep the styling effortless, timeless, minimal, and free of visible branding or logos. ARTISTIC STYLE Render the scene as delicate soft gouache and sophisticated dry-brush painting with subtle handmade texture, translucent tonal transitions, softly unfinished edges, and gentle color fading into the surrounding ivory paper. Keep the human figure more refined and visually defined than the surrounding painterly environment, while maintaining a natural, understated appearance. COLOR PALETTE Build the entire artwork around noble beige and warm neutral tones: warm ivory, ecru, parchment, cashmere beige, oatmeal, sand, biscuit, light camel, mushroom, greige, and warm taupe. Use only restrained accents of muted chocolate, dusty olive, or softly browned foliage. Avoid strong orange, red, yellow, or rustic autumn colors. AUTUMN DETAILS Add only a few delicate autumn leaves and understated foliage. Let several pale beige or muted ochre leaves subtly extend beyond the painted scene into the surrounding negative space. LIGHTING Use soft diffused creamy light with a slightly luminous quality, gentle contrast, and no harsh shadows. Emphasize tactile natural fabrics, quiet atmosphere, and sophisticated tonal harmony. FINAL AESTHETIC Luxury art-book page × noble beige autumn painting × soft gouache × Italian quiet luxury × cashmere-like tonal harmony × minimalist editorial composition. The result should feel serene, intimate, expensive, tactile, collectible, and timeless. Avoid photorealism, saturated autumn colors, rustic styling, excessive foliage, harsh contrast, heavy shadows, excessive accessories, busy backgrounds, collage layouts, hard frames, logos, text, watermarks, or artificial 3D rendering. FORMAT: 4:5 vertical, generous warm-ivory negative space, refined minimalist composition.
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Split-Scene Landmark: Reality Turning into Childhood Memory
@Naiknelofar788
Create a visually striking split-scene artwork showing [LANDMARK / CITY / COUNTRY] in two artistic worlds. Top half: a cinematic, photorealistic view of [LANDMARK], captured during a beautiful [morning/golden-hour/evening], with authentic architecture, local people, atmosphere, street details, natural lighting, realistic textures, and strong cinematic depth. Include recognizable cultural details that immediately establish the location. Bottom half: the exact same scene reimagined as a handmade child’s drawing, created with rough colored pencils, wax crayons, imperfect strokes, scribbled textures, uneven outlines, innocent proportions, visible paper grain, playful colors, and charming imperfections. Keep the important landmarks and visual elements recognizable but make them feel lovingly drawn from memory. Between the two worlds, place a small torn piece of cream paper with handwritten text: “[SHORT EMOTIONAL PHRASE]”. The transition should feel like reality turning into a childhood memory. Warm nostalgic atmosphere, tactile paper texture, subtle imperfections, editorial composition, emotionally charming, highly detailed, artistic but believable. No clean digital illustration, no glossy 3D render, no overly polished cartoon. The strongest visual hook is keeping the same composition in both halves so the viewer immediately recognizes that the crayon drawing is the child’s imaginative/memory version of the real place.
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